Prism Sounds history in developing test and measurement equipment for the audio industry has allowed our engineers to get a much deeper understanding of digital clocking and its associated issues.
Titan has a powerful built-in digital mixer that can be configured to provide a multitude of ultra low latency feeds, Including foldback to performers, stereo and surround outputs.
Titan has a maximum capability of 18 concurrent input and output channels, offering 8 analogue recording channels, 8 monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I/O ports.
With a standard USB connection Titan can connect to the widest range of computers today and for the foreseeable future. Add to this the option of ProTools HDX and Dante modules for the most flexible and professional solution.
1U 19inch rack mountable
(rubber feet and rack ears supplied)
Table top (inc feet): W: 440mm D: 290mm H: 50mm
Rack-mount (inc ears):
W: 483mm D: 290mm H: 44.5mm
90-250VAC, 50/60Hz internal power supply
IEC 6A connector
35W 0.5A(T) 20mm ceramic fuse
4 x combo connectors with XLR sockets for mic input and 6.3mm TRS jack sockets for line input (balanced or unbalanced)
1 x RCA
1 x TOSLINK for S/PDIF or ADAT Optical input
8 x 6.3mm TRS jack sockets (balanced or unbalanced)
1 x RCA
1 x TOSLINK for S/PDIF or ADAT Optical output
Digidesign, Pro Tools, Pro Tools 24|MIX, 888|24 I/O, Pro Tools|HD, 192 I/O, 96 I/O, SYNC I/O and
DigiLink are trademarks of Digidesign, a division of Avid Technology Inc.
ADAT is a trademark of Alesis Corporation.
TOSLINK is a trademark of the Toshiba Corporation
Microsoft and Windows are trademarks of Microsoft Corporation.
Apple, Macintosh, Core Audio, FireWire and OS X are trademarks of Apple Computer, Inc.
The Thunderbolt icon and logo are trademarks of Intel Corporation
All trademarks acknowledged
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Verifile is a solution to the issues of reliability that have plagued critical recording projects ever since the adoption of computer recording of audio. Typically, general purpose computers whether Mac, PC or other OS, are designed to perform a wide range of simultaneous tasks of which audio recording is just one. Even if the user would like audio recording to be given top priority, the computer’s operating system is not designed that way, and (even if optimally configured, which they seldom are) it will, now and again, interrupt audio recording to do something else. This is especially true when dealing with many channels of high resolution audio, perhaps with low latency, which needs a continuous high data throughput. The result is usually a recorded ‘dropout’ of some kind: anyone who has recorded audio on a computer is familiar with repeated or missed samples or entire sections, random clicks, pops – even channel swapping.
Verifile is a ‘fragile steganographic’ process which embeds derivative data within the dither of the ADC, containing a rolling hash code which allows the audio data to be thoroughly and continuously checked. Recovery of this data from the audio stream or file enables verification that the stream or file contains exactly the audio data that was produced by the ADC at the time of recording. Any incorrect samples, missing or repeated audio segments or any other audio errors in the resulting files can be reliably detected, providing complete confidence that the recorded file is error-free.
Processing of any kind of a Verifile recording such as EQ, level changes, additional re-dithering, sample-rate conversion etc will result in a failure to decode the rolling hash code in the dither and hence indicate that the recording is not an original.
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