Prism Sound Showcases High-Quality Audio Conversion at Prolight + Sound Guangzhou 2024

At Prolight + Sound Guangzhou 2024, Prism Sound together with exclusive distributor in the Greater China region, Digital Media Technology (DMT) will showcase high-quality audio conversion products designed to suit the demands of professional users in music, film, broadcast, and live sound.

On booth 4.2 B16 at the China Import and Export Fair Complex, from May 23rd to May 26th, Prism Sound with Digital Media Technology will show the Dream ADA-128 modular audio conversion system that provides up to 128 channels of premium Prism Sound 32-bit A/D and D/A conversion in a single 2U rack.

Dream ADA-128 brings exceptional levels of flexibility, functionality, and cost-effectiveness to the professional audio market without any compromise in sound quality. Designed as both a conversion system and a high-performance, networkable audio distribution and processing system, the ADA-128 is built around a 2RU mainframe that can be fitted with up to 16 analogue and digital IO modules (each of which nominally provides eight input or output ports, or both). There are also four Host cards offering various connection options such as Dante, DigiLink and AES. Users can mix and match these, and even route audio between them for maximum flexibility, and because the ADA‑128 houses four internal, independent clocks, these systems can all run at different sample rates at the same time.

Dream ADA-128 is aimed at audio professionals across many different disciplines, including music recording, post-production, broadcast, installation, Dolby Atmos, and archiving. At Prolight + Sound Guangzhou, Prism Sound will show the system in conjunction with Ginger Audio’s GroundControl Sphere, for which it is now optimised. This professional multichannel audio routing and control room software accepts up to 128 different inputs and outputs from mono to 9.1.6 and is the perfect solution for any surround or immersive audio setup such as Dolby Atmos. It can also be used to tackle speaker tuning and room correction using Sphere’s independent level adjustment and delay line – and thanks to its compatibility with AVID EUCON it can be used with any Digital Audio Workstation and AVID control surface.

Prism Sound’s Prolight + Sound Guangzhou line-up also includes the Titan and Atlas multitrack interfaces that offer flexible expansion and unsurpassed sonic clarity. Titan is ideal for music and sound recording, multi-tracking, overdubbing, stem-based mastering, analogue summing and critical listening applications. Atlas also fulfills all these functions but has the advantage of more preamps, making it suitable for a wider range of recording scenarios.

Also, the company will show the Lyra 2 interface, which packs Prism Sound’s uncompromising AD/DA conversion into a compact chassis, making this unit ideally suited to studio and live sound recording. The limited-edition LYRA 2 Red, boasts not only the pristine audio quality that users expect from Prism Sound, but also a striking red finish that reflects the passion and energy of the audio production community.

Finally CALLIA Red, combines the functionality of a high-end DAC with a preamp and a headphone amplifier, all wrapped in a sleek, red limited edition casing.