Reference Grade Expandable Production Interface
“Atlas is a sumptuous interface, offering unparalleled sound quality. Prism Sound’s reputation is further enhanced with its arrival and, since the quality of its interfaces was already on a pedestal for most of us, that’s a glowing endorsement.” – MusicRadar.
“This unit has changed my life… I’ve spent years trying to find an interface that didn’t colour the sound of the instruments I’m recording… It has succeeded in bringing my whole studio together and I feel like I can breathe again.”
Atlas & Titan support Prism Sound’s MDIO expansion cards, which provide alternative “host” connections. The “host” is usually a computer and the Atlas or Titan interface provides a means of connection between the host and the external analogue and digital audio I/O ports.
The MDIO expansion slot provides an alternative host connection. It does not necessarily disable the USB port, but in the case of the Pro Tools interface MDIO-PTHDX, the USB port is switched off when the Pro Tools interface is to be used.
The DANTE module allows multiple Titan or Atlas units to be connected directly to a DANTE equipped network.
The Pro Tools MDIO-HDX module allows multiple Titan or Atlas units to be connected directly to an AVID Pro Tools HDX or HD native system via AVID’s “Digilink” connection.
2U 19inch rack mountable
(rubber feet and rack ears supplied)
Table top (inc feet): W: 440mm D: 290mm H: 95mm
Rack-mount (inc ears):
W: 483mm D: 290mm H: 88mm
90-250VAC, 50/60Hz internal power supply
IEC 6A connector
35W 0.5A(T) 20mm ceramic fuse
8 x combo connectors with XLR sockets for mic input and 6.3mm TRS jack sockets for line input (balanced or unbalanced)
1 x RCA
1 x TOSLINK for S/PDIF or ADAT Optical input
8 x 6.3mm TRS jack sockets (balanced or unbalanced)
1 x RCA
1 x TOSLINK for S/PDIF or ADAT Optical output
Digidesign, Pro Tools, Pro Tools 24|MIX, 888|24 I/O, Pro Tools|HD, 192 I/O, 96 I/O, SYNC I/O and
DigiLink are trademarks of Digidesign, a division of Avid Technology Inc.
ADAT is a trademark of Alesis Corporation.
TOSLINK is a trademark of the Toshiba Corporation
Microsoft and Windows are trademarks of Microsoft Corporation.
Apple, Macintosh, Core Audio, FireWire and OS X are trademarks of Apple Computer, Inc.
The Thunderbolt icon and logo are trademarks of Intel Corporation
All trademarks acknowledged
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You can see how this popup was set up in our step-by-step guide: https://wppopupmaker.com/guides/auto-opening-announcement-popups/
You can see how this popup was set up in our step-by-step guide: https://wppopupmaker.com/guides/auto-opening-announcement-popups/
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You are about to view the Orpheus page on the Prism Sound legacy website.
Verifile is a solution to the issues of reliability that have plagued critical recording projects ever since the adoption of computer recording of audio. Typically, general purpose computers whether Mac, PC or other OS, are designed to perform a wide range of simultaneous tasks of which audio recording is just one. Even if the user would like audio recording to be given top priority, the computer’s operating system is not designed that way, and (even if optimally configured, which they seldom are) it will, now and again, interrupt audio recording to do something else. This is especially true when dealing with many channels of high resolution audio, perhaps with low latency, which needs a continuous high data throughput. The result is usually a recorded ‘dropout’ of some kind: anyone who has recorded audio on a computer is familiar with repeated or missed samples or entire sections, random clicks, pops – even channel swapping.
Verifile is a ‘fragile steganographic’ process which embeds derivative data within the dither of the ADC, containing a rolling hash code which allows the audio data to be thoroughly and continuously checked. Recovery of this data from the audio stream or file enables verification that the stream or file contains exactly the audio data that was produced by the ADC at the time of recording. Any incorrect samples, missing or repeated audio segments or any other audio errors in the resulting files can be reliably detected, providing complete confidence that the recorded file is error-free.
Processing of any kind of a Verifile recording such as EQ, level changes, additional re-dithering, sample-rate conversion etc will result in a failure to decode the rolling hash code in the dither and hence indicate that the recording is not an original.
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